With a Foreword by Nalini Iyer and an Afterword by Lysley Tenorio
Pioneering Indian American writer Bharati Mukherjee is best known for her novel, Jasmine, and her breakthrough collection, The Middleman and Other Stories, which won the 1988 National Book Critics Circle Award. Her writing is distinguished as much by its narrative style and shifting points of view as it is by Mukherjee’s piercing emotional observations on the immigrant experience and her depiction of racism, nostalgia, and displacement.The Collected Short Stories of Bharati Mukherjee is the first volume to feature the author’s complete short fiction—all 35 stories. Leading Mukherjee scholar Ruth Maxey edits the collection, unearthing seven unknown stories: five in Mukherjee’s unpublished 1963 Iowa Writer’s Workshop M.F.A. thesis, The Shattered Mirror, and two tales from 2008. Arranged chronologically, this essential collection brings many of Mukherjee’s stories back into print, from the semi-autobiographical story, “Hindus,” in her 1985 debut collection, Darkness, to her late stories, published from 1997–2012, as well as her classic, “The Management of Grief.” Maxey contextualizes Mukherjee’s short fiction and the provocative, often prescient political questions it raises about migration, nationhood, class, and history. The Collected Short Stories of Bharati Mukherjee features a Foreword by prominent literary studies scholar Nalini Iyer and Afterword by critically acclaimed writer Lysley Tenorio, one of Mukherjee’s former students. It is an essential volume for readers both familiar with Mukherjee’s work and new to her groundbreaking fiction.
Founded by Sucheng Chan in 1991, the Asian American History and Culture series has sponsored innovative scholarship that has redefined, expanded, and advanced the field of Asian American studies while strengthening its links to related areas of scholarly inquiry and engaged critique. Like the field from which it emerged, the series remains rooted in the social sciences and humanities, encompassing multiple regions, formations, communities, and identities. Extending the vision of founding editor Sucheng Chan and emeriti editor Michael Omi, David Palumbo-Liu, K. Scott Wong and Linda Trinh Võ, series editors Cathy Schlund-Vials, Rick Bonus, and Shelley Sang-Hee Lee continue to develop a foundational collection that embodies a range of theoretical and methodological approaches to Asian American studies.