• 216 pages
  • 6 x 9
  • 9 halftones
  • Price: $26.95
  • EAN: 9781439908112
  • Publication: Jan 2013
  • Price: $76.50
  • EAN: 9781439908105
  • Publication: Jan 2013
  • Price: $26.95
  • EAN: 9781439908129

Pimping Fictions

African American Crime Literature and the Untold Story of Black Pulp Publishing

Justin Gifford and Matthew Carnicelli

"Lush sex and stark violence colored Black and served up raw by a great Negro writer," promised the cover of Run Man Run, Chester Himes' pioneering novel in the black crime fiction tradition. In Pimping Fictions, Justin Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Himes, Donald Goines, and Iceberg Slim (aka Robert Beck), among many others. Gifford draws from an impressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature—characters looking to escape the racial containment of prisons and the ghetto. Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House—that fed books and magazines like Players to eager black readers—to the contemporary crop of African American women writers reclaiming the genre as their own.


"Pimping Fictions deftly shows the scholarly significance of the early ‘street lit’ authors by decoding their profound artistry while giving insight to the culture that gave it birth." Ice-T

"Gifford’s groundbreaking study of the 'art and business of black crime literature' is ingenious in its embrace of elements of street literature from historical and literary perspectives along with the culture of the writers who produce it, the commercial enterprises that publish it, and the 'white-controlled spaces' they occupy and must negotiate.... In exploring how these writers, little noticed by academia or mainstream media, negotiate the connection between white-controlled spaces in urban centers, prisons, and publishing, Gifford makes a persuasive case for their importance." —Publishers Weekly (starred review)

"Gifford is particularly interested in characters such as pimps, sex workers, drug dealers, hustlers, and criminals as representations of African American resistance to American establishment as well as the harsh living reality of street corners, prisons, and the urban environment. Gifford is equally interested in the role of the publishing industry.... One of the book's strengths exists in touching upon the formation of African-American identities in the late twentieth century. Although Gifford's main focus is in pulp fiction, he also argues that publishing was an effective way to establish African-American culture and identity within the US.... Pimping Fiction is easy to read. While the book can be adopted as an introductory text for understanding a particular African-American writing genre, it can also serve as an extensive case study of a genre contextualized within a specific American and African-American time period and political context."—Journal of American Culture

"Drawing on an expansive archive of pulp paperbacks, prison novels, autobiographies and interviews, this timely study positions black crime fiction within a rich literary and cultural history of black pulp publishing over the past 50 years.... Gifford offers a compelling argument for the significance of black crime fiction as a literary and political response to white-sponsored methods of containment fostered by urban renewal policies, federal housing authorities and mass incarceration, whilst at the same time highlighting the deeply contested position of black pulp writers within the literary marketplace." —Journal of Popular Culture

"Justin Gifford's new monograph is impressive. He writes about a genre that historically has been both popular and met with strong critical condemnation. While acknowledging the reasoning for the latter, Gifford argues for understanding well why black crime (i.e., pulp) fiction has had and maintains a robust mass readership.... That dialogue is important for recognizing frankly the complicated legacies of our national past and present. For all the ways that forging a coherent cultural community over time has worked to give succor and strength to blacks in America... Gifford argues compellingly for giving critical consideration to black pulp fiction as a complex literary resource for understanding the complexity of racism and its lingering influences in the United States." -Clues: A Journal of Detection

About the Author(s)

Justin Gifford is Associate Professor of English, and he holds the Jean Sanford Distinguished Professorship in the Humanities at the University of Nevada, Reno.