• 328 pages
  • 6 x 9
  • 32 figs.
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  • Price: $34.95
  • EAN: 9780877226376
  • Publication: Mar 1989

Passion and Power

Sexuality in History

Edited by Christina Simmons, and Kathy Peiss

Passion and Power brings together some of the most recent and innovative writings on the history of sexuality and explores the experiences, ideas, and conflicts that have shaped the emergence of modern sexual identities. Arguing that sexuality is not an unchanging biological reality or a universal natural force, the essays in this volume discuss sexuality as an integral part of the history of human experience. Articles on sexual assault, homosexuality, birth control, venereal disease, sexual repression, pornography, and the AIDS epidemic examine the ways that sexuality has become a core element of modern social identity in the nineteenth- and twentieth-century United States.

It is only in recent years that historians have begun to examine the social construction of sexuality. This is the first anthology that addresses this issue from a radical historical perspective, examining sexuality as a field of contention in itself and as part of other struggles rooted in divisions of gender, class, and race.

Reviews

"Brings together some of the most recent and innovative writing on the history of sexuality and explores the experiences, ideas and conflicts that have shaped the emergence of modern sexual identities." —Dare

About the Author(s)

Kathy Peiss is Associate Professor of History and Women’s Studies at the University of Massachusetts at Amherst and author of Cheap Amusements: Working Women and Leisure in Turn-of-the-century New York (Temple).

Christina Simmons is Assistant Professor of History at the University of Cincinnati-Raymond Walters College.

In the Series

Critical Perspectives on the Past

No longer active. Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig, is concerned with the traditional and nontraditional ways in which historical ideas are formed. In its attentiveness to issues of race, class, and gender and to the role of human agency in shaping events, the series is as critical of traditional historical method as content. Emphasizing that history is itself an interpretation of material events, the series demonstrates that the historian's choices of subject, narrative technique, and documentation are politically as well as intellectually constructed.