Holocaust Memorials in the United States and Germany
Publication: Oct 22
Publication: Feb 20
Publication: Feb 20
6 x 9
10 color photos, 23 halftones
Now in Paperback—Considers Holocaust memorials in the United States and Germany, postwar to the presentRead the Introduction
Now in Paperback
In Memory Passages, Natasha Goldman examines changing attitudes toward the Holocaust and the artistic choices that respond to it. She suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering.
Praise for the hardcover:
“ Goldman’s Memory Passages builds beautifully on the considerable body of work on Holocaust memorialization in the U.S. and Germany, refining others’ approaches into what she calls her focus on ‘the visual field’ of these works. Its special strengths include Goldman’s theorizing of ‘walking and memory,’ the inclusion of relatively understudied memorials, and her thorough approach to their cultural, historical, and aesthetic contexts. This book will be welcomed by all with an interest in Holocaust memorialization.” —James E. Young, Distinguished University Professor of English and Judaic Studies at the University of Massachusetts, Amherst, and the author of At Memory’s Edge: After-Images of the Holocaust in Contemporary Art and Architecture
“ Goldman’s insightful study is unique in that it takes a focused, comparative approach to Holocaust memorials in the United States and Germany. Her understanding of the running theme of perambulation serves as a newer mode to interpret several memorials. Memory Passages is especially interesting in its discussion of the intersection of Holocaust education, communal concerns, and the role of survivors and the memorials in question. Goldman’s sharp art historical eye and her strong grasp of trauma theory help flesh out the meanings of the works and make apt connections to the larger public art scene.”—Samantha Baskind, Professor of Art History at Cleveland State University and author of Jewish Artists and the Bible in Twentieth-Century America
“Goldman’s book offers an engaging account into early and lesser researched memorials dedicated to the Holocaust in pre-and post-unification Germany and in the United States...The study is a welcome contribution to the field of Holocaust memorials and a must-read for anyone interested in this subject.” —Journal of Contemporary History
"(Goldman) balances the analysis of the visual form and stylistic evolution of these (Holocaust) memorials from figurative to conceptualist, with a particularly interesting in-depth analysis of the societal and political context in which they were created.... (E)xcellently researched, full of rich historic detail.... (T)his book provides great insight into the history of Holocaust memorials, as well as and perhaps most relevantly for social scientists, the relationship between collective and embodied memory and the visual form."
" Goldman’s new book explores the largely forgotten sites of Holocaust memory that have been somewhat eclipsed by other better-known sites.... Perhaps most important and original in her study is its
attention to the design process of these seemingly forgotten memorials. By attending carefully to their stages of conceptualization, Goldman makes visible the compromises artists have had to make in order to satisfy commissioning bodies.... She makes a strong case for the necessity of visitors, visitors who feel invited to walk through them and reflect, visitors without whom these memorials would once again be forgotten."
—Holocaust and Genocide Studies
" This is a very interesting and informative work describing and comparing the gradual evolution of ideas for memorial sites in Germany and in the United States.... This book would be of use in academic libraries with significant collections on the Holocaust.."
—Association of Jewish Libraries newsletter