The World the Sixties Made

Politics and Culture in Recent America

edited by Van Gosse and Richard Moser
Book Cover

PB: $30.95
EAN: 978-1-59213-201-0
Publication: Oct 03

HC: $81.50
EAN: 978-1-59213-200-3
Publication: Oct 03

Ebook: $30.95
EAN: 978-1-59213-846-3
Publication: Oct 03

352 pages
6 x 9

A bold reinterpretation of the Sixties' legacy

Read an excerpt from the Introduction (pdf).

Reviews

"An important volume, The World The Sixties Made fills a large niche in post-1968 historical scholarship. Gosse's introductory essay is excellent, compelling, and well argued. Moser's introduction is a key piece and a timely historical document. This will be a significant and influential book."
Brad Martin, History and Social Sciences Department, Bryant College

"The continued relevance of the left of the 1960s is a major challenge to almost any contemporary understanding of that tumultuous decade. This is a very inventive contribution, arguing that the left remains far more important than often claimed. There is a lot of new and intriguing research here. It's a book well worth reading." Ken Cmiel, University of Iowa

"In this historical moment, when the forces of reason seem so strong, The World the Sixties Made reminds us just how much the radical movements of the 1960s and 1970s accomplished—and that the future is not closed." James William Gibson, author of The Perfect War: Technowar in Vietnam and Warrior Dreams: Paramilitary Culture in Post-Vietnam America

"(T)he essays do a fine job of balancing the broad historical narrative with the detailed studies of disparate subjects.... It marks a provocative starting point of the historiography of recent America (and) provide a basis for contentious debate."The Register of the Kentucky Historical Society

Table of Contents

Introduction I: Postmodern America: A New Democratic Order in the Second Gilded Age – Van Gosse
Introduction II: Was It the End or Just a Beginning? American Storytelling Traditions and the 1960s – Richard Moser
1. Beyond Declension: Feminist Radicalism in the 1970s and 1980s – Sara M. Evans
2. The Land Belongs to the People: Reframing Urban Protest in Post-Sixties Philadelphia – Andrew Feffer
3. Unpacking the Vietnam Syndrome: The Coup in Chile and the Rise of Popular Anti-Interventionism – Van Gosse
4. The Movement Inside: BBS Films and the Cultural Left in the New Hollywood – Andrew Schroeder
5. In the Name of Austerity: Middle-Class Consumption and the OPEC Oil Embargo of 1973-1974 – Natasha Zaretsky
6. Taking Over Domestic Space: The Battered Women's Movement and Public Protest – Anne Enke
7. Fabulous Politics: Gay, Lesbian, and Queer Movements, 1969-1999 – Jeffrey Escoffier
8. A Very American Epidemic: Memory Politics and Identity Politics in the Names Project AIDS Memorial Quilt, 1985-1993 – Christopher Capozzola
9. Holding the Rock: The "Indianization" of Alcatraz Island, 1969-1999 – Carolyn Strange and Tina Loo
10. Out of Labor's Dark Age: Sexual Politics Comes to the Workplace – Kitty Krupat
11. Auto Workers at Lordstown: Workplace Democracy and American Citizenship – Richard Moser
12. Cartoon Politics: The Case of the Purloined Parents – James Livingston
13. At the End of the Century (poem) – Eliot Katz
About the Contributors

About the Author(s)

Van Gosse is Assistant Professor of History at Franklin and Marshall College; he is the author of Where the Boys Are: Cuba, Cold War America and the Making of a New Left.

Richard Moser is a National Field Representative of the American Association of University Professors and the author of The New Winter Soldiers: GI and Veteran Dissent During the Vietnam Era.


Subjects

In the Series

  • Critical Perspectives on the Past edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig

    Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig, is concerned with the traditional and nontraditional ways in which historical ideas are formed. In its attentiveness to issues of race, class, and gender and to the role of human agency in shaping events, the series is as critical of traditional historical method as content. Emphasizing that history is itself an interpretation of material events, the series demonstrates that the historian's choices of subject, narrative technique, and documentation are politically as well as intellectually constructed.