Asian Americans in Popular Culture
Best Book Award for the Social Construction of Race, The American Political Science Association, 1999
Honorable Mention for the John Hope Franklin Publication Prize for the best-published book in American Studies from the American Studies Association, 1999
Publication: Apr 00
6 x 9
A compelling study of how the label "oriental" came into being
Sooner or later every Asian-American must deal with the question "Where do you come from?" It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that "Orientals" never really stop being loyal to a foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian-Americans over the last 150 years, Robert G. Lee seizes the label "Oriental" and asks where it came from.
The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian-Americans, coalescing in particular stereotypes. Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American familythe nation writ small.
Refusing to balance positive against negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian-American experience; whether they come from Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths.
Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture.
"Orientals is an indispensable book about the United States. In it, 'American culture' emerges as a site in which racial meanings about Asia and Asian-Americans are made and remade in relation to specific historical crises, whether the settling of the western frontier, the consolidation of the European immigrant working class, the establishment of the nuclear family and middle class domesticity, World War II, Cold War liberalism or the global restructuring of the economy."
—Lisa Lowe, author of Immigrant Acts: On Asian-American Cultural Politics
"A compelling critique of race from an Asian American viewpoint.... Given the increasingly non-European composition of the U. S. population, Lee's work provides an excellent prism to view the flawed North American self-image."
"...an outstanding examination of Asian American stereotypes in nineteenth- and twentieth-century popular culture."
—Journal of American Ethnic History
"Orientals is provocative in its argument regarding the role of anti-Asian racism in creating pan-white identities incorporating new European immigrants and in fostering the growth of caste and craft unions rather than organizations seeking to represent all workers."
—The Journal of American History
Table of Contents
Preface: Where Are You From?
1. The "Heathen Chinee" on God's Free Soil
2. The Coolie and the Making of the White Working Class
3. The Third Sex
4. Inner Dikes and Barred Zones
5. The Cold War Origins of the Model Minority
6. The Model Minority as Gook
7. After LA
8. Disobediant Citizenship: Deconstructing the Oriental
About the Author(s)
In the Series
Asian American History and Culture edited by Cathy Schlund-Vials, Rick Bonus, and Shelley Sang-Hee Lee
Founded by Sucheng Chan in 1991, the Asian American History and Culture series has sponsored innovative scholarship that has redefined, expanded, and advanced the field of Asian American studies while strengthening its links to related areas of scholarly inquiry and engaged critique. Like the field from which it emerged, the series remains rooted in the social sciences and humanities, encompassing multiple regions, formations, communities, and identities. Extending the vision of founding editor Sucheng Chan and emeriti editor Michael Omi, David Palumbo-Liu, K. Scott Wong and Linda Trinh Vú, series editors Cathy Schlund-Vials, Rick Bonus, and Shelley Sang-Hee Lee continue to develop a foundational collection that embodies a range of theoretical and methodological approaches to Asian American studies.