Critical Essays on Rap Music and Hip Hop Culture
Publication: Oct 95
Publication: Oct 95
6 x 9
Leading authorities write on the complexand sometimes controversialhistory, politics, and culture of rap and hip hop
Rap and hip hop, the music and culture rooted in African American urban life, bloomed in the late 1970s on the streets and in the playgrounds of New York City. This critical collection serves as a historical guide to rap and hip hop from its beginnings to the evolution of its many forms and frequent controversies, including violence and misogyny. These wide-ranging essays discuss white crossover, women in rap, gangsta rap, message rap, raunch rap, Latino rap, black nationalism, and other elements of rap and hip hop culture like dance and fashion. An extensive bibliography and pictorial profiles by Ernie Pannicolli enhance this collection that brings together the foremost experts on the pop culture explosion of rap and hip hop.
Table of Contents
Preface 1. The Rap Attack: An Introduction William Eric Perkins
Part I: Roots 2. Women Writin' Rappin' Breakin' Nancy Guevara 3. Rap's Latino Sabor Mandalit del Barco 4. Puerto Rico Rocks: New York Ricans Stake Their Claim Juan Flores
Part II: Genres 5. Kickin' Reality, Kickin' Ballistics: Gangsta Rap and Postindustrial Los Angeles Robin D. G. Kelley 6. Making the Strong Survive: The Contours and Contradictions of Message Rap Ernest Allen, Jr. 7. Who Wants to See Ten Niggers Play Basketball? Armond White
Part III: Flavas 8. Hip Hop 101 Robert Farris Thompson 9. Dance in Hip Hop Culture Katrina Hazzard-Donald 10. Hidden Politics: Discursive and Institutional Policing in Rap Music Tricia Rose 11. Global Village: An Epilogue William Eric Perkins
About the Contributors
About the Author(s)
In the Series
Critical Perspectives on the Past edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig
Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig, is concerned with the traditional and nontraditional ways in which historical ideas are formed. In its attentiveness to issues of race, class, and gender and to the role of human agency in shaping events, the series is as critical of traditional historical method as content. Emphasizing that history is itself an interpretation of material events, the series demonstrates that the historian's choices of subject, narrative technique, and documentation are politically as well as intellectually constructed.