Ocean Passages

Navigating Pacific Islander and Asian American Literatures

Erin Suzuki
Book Cover

PB: $39.95
EAN: 978-1-4399-2094-7
Publication: Mar 21

HC: $110.50
EAN: 978-1-4399-2093-0
Publication: Mar 21

Ebook: $39.95
EAN: 978-1-4399-2095-4
Publication: Mar 21

268 pages
6 x 9
1 halftones

Comparing and contrasting the diverse experiences of Asian and Pacific Islander subjectivities across a shared sea

Read the Introduction (pdf).


In her pathbreaking book , Ocean Passages, Erin Suzuki explores how movement through—and travel across—the ocean mediates the construction of Asian American and Indigenous Pacific subjectivities in the wake of the colonial conflicts that shaped the modern transpacific. Ocean Passages considers how Indigenous Pacific scholars have emphasized the importance of the ocean to Indigenous activism, art, and theories of globalization and how Asian American studies might engage in a deconstructive interrogation of race in conversation with this Indigenous-centered transnationalism.

The ocean passages that Suzuki addresses include the U.S. occupation and militarization of ocean space; refugee passage and the history and experiences of peoples displaced from the Pacific Islands; migratory circuits and the labors required to cross the sea; and the different ways that oceans inform postcolonial and settler colonial nationalisms. She juxtaposes work by Indigenous Pacific and Asian American artists and authors including James George, Maxine Hong Kingston, Kathy Jetñil-Kijiner, lê thi diếm thúy, Ruth Ozeki, and Craig Santos Perez. In Ocean Passages, Suzuki explores what new ideas, alliances, and flashpoints might arise when comparing and contrasting Asian and Pacific Islander passages across a shared sea.

Table of Contents


1. Militarized Passages: Securing the Sea
2. Refugee Passages: In the Wake of War
3. Commercial Passages: On Cycles and Circulations
4. Embodied Passages: “Local” Motions and the Settler Colonial Body Politic
5. Virtual Passages: Pacific Futures

Works Cited

About the Author(s)

Erin Suzuki is an Assistant Professor of Literature at the University of California, San Diego.


In the Series

  • Critical Race, Indigeneity, and Relationality edited by Antonio T. Tiongson, Jr., Danika Medak-Saltzman, and Iyko Day

    Edited by Antonio T. Tiongson Jr., Danika Medak-Saltzman, and Iyko Day, Critical Race, Indigeneity, and Relationality showcases comparative studies of race, ethnicity, and Indigeneity in projects that take a self-reflexive approach in their deployment of relational frameworks and analytics. The series spotlights projects that theorize the imbrication of settler colonial logics with other structuring logics such as franchise colonialism, racial chattel slavery, neoliberal capitalism, ableism, Islamophobia, heteropatriarchy, and the carceral and surveillance state. The series does so in order to complicate the canon of comparative race scholarship and nuance normative iterations of women of color feminism and queer of color critique. For these reasons, the series seeks projects that are grounded in, and build on, the theoretical insights and methodologies of women of color feminism and queer of color critique as they engage with Native theorizing, Indigeneity, and settler colonial paradigms. Critical Race, Indigeneity, and Relationality steers away from the familiar means of evoking and excavating patterns of similarities and differences to publish works that provide an alternative interpretive grid for comparative work—one that is acutely attuned to historical conjunctures, structural disjunctures, and power asymmetries.

    Proposals may be submitted to Acquisitions Editor, Temple University Press Shaun Vigil