Dancing the Fairy Tale

Producing and Performing The Sleeping Beauty

Laura Katz Rizzo
Book Cover

PB: $23.95
EAN: 978-1-4399-1122-8
Publication: Jan 15

HC: $70.50
EAN: 978-1-4399-1121-1
Publication: Jan 15

Ebook: $23.95
EAN: 978-1-4399-1123-5

212 pages
5.5 x 8.25
6 halftones

The Sleeping Beauty and the story of ballet in Pennsylvania


In Dancing the Fairy Tale, Laura Katz Rizzo claims that The Sleeping Beauty is both a metaphor for ballet itself, and a powerful case study for examining ballet and its production and performance. Using Marius Petipa and Pyotr Tchaikovsky's classical dance--specifically as it was staged in Philadelphia over nearly 70 years--Katz Rizzo looks at the gendered nature of women staging, coaching, and reanimating this magnificent ballet, and well as the ongoing push-pull between tradition and innovation within the art form. Using extensive archival research, dance analysis, and American feminist theory, Dancing the Fairy Tale places women at the center of a historical narrative to reveal how the production and performance of The Sleeping Beauty in the years between 1937 and 2002 made significant contributions to the development and establishment of an American classical ballet. Katz Rizzo highlights not only what women have done not only behind the scenes, as administrators, producers, or directors of ballet companies and schools, but also as active interpreters embodying the ballet's title role. In the process, Katz Rizzo also emphasizes the importance of regional sites outside of locations traditionally understood as central to the development of ballet in the United States.

Table of Contents

Acknowledgments Introduction/Prologue 1 • Women Creating Ballet: The Case of The Sleeping Beauty 2 • From Saint Petersburg to Philadelphia: Reviving and Reanimating Classicism in America 3 • Catherine Littlefield and The Sleeping Beauty’s American Premiere (1937) 4 • Aurora Streamlined and Accelerated: Barbara Weisberger and the Second U.S. Production (1965) 5 • Aurora Speaks: What Ballerinas Have to Say about The Sleeping Beauty 6 • The Power of Dance Technique and the Agency of the Ballerina Conclusion/Curtain Call Appendix: Plot and Stage Action Notes Index

About the Author(s)

Laura Katz Rizzo is the Program Director of the Bachelor of Fine Arts Program in Dance and an Assistant Professor of Dance at Temple University. She is also a frequent guest speaker, choreographer, and pedagogue at universities and ballet companies throughout the United States and abroad